Number One Comics – September 2017

Here is a recap of all the number one comics covered from the InvestComics Hot Picks during the month of September. As always, click on the comic cover/images or RED links to buy/bid any of the comics from ALL available Ebay sellers.

The Girl Who Played With Fire #1 – Sylvain Runberg and Jose Homs.
Black Sable #1 – Joe Brusha.
Fruit Ninja #1 – Nathan Cosby and Ruairi Coleman.
Made Men #1 – Paul Tobin and Arjuna Susini.
Star Wars Adventures #1 – Cavan Scott and Derek Charm.

Buy/Bid – Black Sable #1

Girl Who Played Fire #1

Buy/Bid – Fruit Ninja #1

Made Men #1

Buy/Bid – SW Adventures #1

 

 

 

 

 

 

 

Generations: Iron Man & Ironheart #1 – Brian Michael Bendis and Marco Rudy.
Journey to Star Wars The Last Jedi – Captain Phasma #1
Venomverse: War Stories #1
Venomverse #1
Wolfenstein #1 – Dan Watters, Piotr Kowalski & Ronilson Friere.

Buy/Bid – Venomverse #1

Buy/Bid – War Stories #1

Buy/Bid – Captain Phasma #1

Buy/Bid – IM Ironheart #1

Buy/Bid – Wolfenstein #1

 

 

 

 

 

 

 


Sink #1 – John Lees & Alex Cormack.
Alien Toilet Monsters #1 – Carol Zara and Eric Barnett.
Shinobi Ninja Princess Lightning Oni #1 – Martheus Wade.
The Retcon #1 – Matt Nixon & Toby Cypress.
Realm #1 – Seth Peck, Jeremy Haun & Nick Filardi.

Buy/Bid – Sink #1

ATM #1

Buy/Bid – Shinobi #1

Buy/Bid – Retcon #1

Buy/Bid – Realm #1

 

 

 

 

 

 

 


Secret Empire Omega #1 – Michael Turner.
Generations Captain Marvel & Captain Mar-Vell #1 – Margaret Stohl & Brent Schoonover.
Harley Quinn 25th Anniversary Special #1
Mr. Crypt #1 – Troy Verasis and Aleksandar Jovic.
La Muerta: Descent #1 – Brian Pulido.

Buy/Bid – Descent #1

Buy/Bid – Empire Omega #1

Buy/Bid – Mar-Vell #1

Buy/Bid – Harley 25th #1

Buy/Bid – Mr. Crypt #1

 

 

 

 

 

 

 

La Muerta Vengeance #1 – Brian Pulido, Mike MacLean & Joel Gomez.
The Beautiful Death #1 – Mathieu Bablet.
Misbegotten Runaway Nun #1 – Caesar Voghan, Eric Granger, Chris Bailey & William Bohm.
Angelic #1 – Simon Spurrier and Casper Wijngaard.
Dark Ark #1 – Cullen Bunn and Juan Doe.

Buy/Bid – Vengeance #1

Buy/Bid – Nun #1

Buy/Bid – Beautiful Death #1

Buy/Bid – Angelic #1

Buy/Bid – Dark Arc #1

 

 

 

 

 

 

 

Gasolina #1 – Sean Mackiewicz, Mat Lopes & Niko Walter.
Generations: Ms. Marvel & Ms. Marvel #1 – G. Willow Wilson and Paolo Villanelli.
Runaways #1
Malefic #1 – Dan Schaffer & David Miller.
Kill Them All – Kyle Starks and Luigi Anderson.

Buy/Bid – Kill Them All

Buy/Bid – Malefic #1

Buy/Bid – Gasolina #1

Buy/Bid – Ms. Marvel

Buy/Bid – Runaways #1

 

 

 

 

 

 

 


Adventure Finders #1 – Rod Espinosa.
Arya #1 – Sofia Davila & Minjun Chen.
Aardvark Comics #1 – Dave Sim.
The Infinite Loop Nothing But the Truth #1 – Pierrick Colinet, Elsa Charretier and Danele Di Nicuolo.
Fu Jitsu #1 – Jai Nitz and Wesley St. Claire.

Buy/Bid – Fu Jitsu #1

Buy/Bid – Arya #1

Buy/Bid – Infinite Loop #1

Buy/Bid – Aardvark #1

Buy/Bid – Adventure #1

 

 

 

 

 

 

 


Graveland #1 – Massimo Rosi & Gabriel Ibarra Nunez.
Batman The Murder Machine #1 – Frank Tieri
FOOM #1
Generations Miles Morales & Peter Parker Spider-Man #1
Generations Captain Americas #1

Buy/Bid – Graveland #1

Buy/Bid – Murder Machine #1

Buy/Bid – Spidey & Spidey #1

Buy/Bid – Captain #1

Buy/Bid – FOOM #1 2017

 

 

 

 

 

 

 

Giving the Speculator an Edge Since 2005!
Invest wisely. Read Comics.
Carpe Diem.

Jay Katz
Thor_126Wolverine_Frank_Miller

 

Top 5 Hot Picks #130

Every week before new comic book day, InvestComics provides our fans with the Top 5 Hot Picks for new comics coming out on Wednesday. This list is pulled straight from the latest (weekly) InvestComics Hot Picks article. This week’s Top 5 based on InvestComics Hot Picks #492 and new comics coming this Wednesday 9/13/17.

We recommend viewing our great site on Google Chrome!
New to InvestComics? Please read the Disclaimer here before proceeding…

Click on the RED links, Images or the comic cover to buy/bid from All available sellers on Ebay.

Flash #30 – The introduction of new villain ‘Bloodwork.
Supergirl #13 – The regular (cover price) Stanley Artgerm Lau variant is not only sold out (distributor level), but it’s making noise in the aftermarket. Some pricing on Ebay are three times the cover price.
Weapon X #8 – The Weapon H Venomized cover is sold out (distributor).
Realm #1 – We love the Mad Max/Walking Dead/Game of Thrones vibe of this book. Look for a possible sell out here.
Shinobi Ninja Princess Lightning Oni #1 – This Action Lab Entertainment comic is sold out (distributor).

Top 5 – Buy/Bid

Top 5 – Buy/Bid

Top 5 – Buy/Bid

Top 5 – Buy/Bid

Top 5 – Buy/Bid

 

 

 

 

 

 

 

Click on the RED links, Images or the comic cover to buy/bid from All available sellers on Ebay.

Venomverse #2

Amazing Spider-Man #129

Also appearing in this weeks InvestComics Hot Picks #492
Click on the RED links to buy/bid now from ALL available Ebay sellers.
Dark Nights Metal #2
Action Comics #987
Superman #32 (2011)
Harley Quinn 25th Anniversary Special #1
Generations Captain Marvel & Captain Mar-Vell #1
Runaways #1
Secret Empire Omega #1
Amazing Spider-Man #32
Venomverse #2
The Retcon #1
Sheena #1
Sink #1
Ninjak #0
Amerikarate #6 
Amazing Spider-Man #129 (1974)
Wolfenstein #1

Giving the Speculator an Edge Since 2005!
Invest wisely. Read Comics.
Carpe Diem.

Jay Katz
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Best Comic Covers Of The Week 9-13-17

New comic book release day 9/13/17. New comic releases are subject to change.
These are our favorite comic covers from the new arrivals this week. Shown below are the comic book covers with the cover artist. What are your favorite covers this week?

NOTE: This site is BEST VIEWED on Google Chrome.
New to InvestComics? Please read the Disclaimer here before proceeding

Click on the Images/Comic Cover to buy/bid from All sellers on Ebay.

Click on the Images/Comic Cover to buy/bid from All sellers on Ebay.

New Wolverine #24 – Leinil Frances Yu

Batgirl/BOP #14 – Shirahama

Deadpool #36 – David Lopez

Youngblood #5 – Rob Liefeld

 

 

 

 

 

 

 

 

 

Click on the Images/Comic Cover to buy/bid from All sellers on Ebay.

Rose #6 – David Finch

Sheena #1 – Ashley Du – Cosplayer

Supergirl #13 – Rocha/Henriques

Ghost Zero #2 – Megan Levens

 

 

 

 

 

 

 

 

 

Click on the Images/Comic Cover to buy/bid from All sellers on Ebay.

Realm #1 – Tony Moore

Scooby #17 – David Finch

Shhena #1 – J Scott Campbell

Suicide Squad #25 – Whilce Portacio

 

 

 

 

 

 

 

 

 

Click on the Images/Comic Cover to buy/bid from All sellers on Ebay.

Secret Empire Omega #1 – Turner

Marvel-Marv-ell #1 – Dodson

Venomverse #2 – Elizabeth Torque

Dark Metal #2 – Andy Kubert

 

 

 

 

 

 

 

 

 

Click on the Images/Comic Cover to buy/bid from All sellers on Ebay.

Giving the Speculator an Edge Since 2005!
Invest wisely. Read Comics.
Carpe Diem.

Jay Katz
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InvestComics Hot Picks #492

InvestComics Hot Picks provides readers and speculators the low down on the new releases coming out on Wednesday each week.
Hot Picks have been weekly since 2005.
This week, new comic book release day 9/13/17.

NOTE: This site is BEST VIEWED on Google Chrome.
New to InvestComics? Please read the Disclaimer here before proceeding…

Click on the RED links, Images or the comic cover to buy/bid from All available sellers on Ebay.
ALL InvestComics Hot Picks mobile videos.

Buy/Bid – Action Comics #987

Buy/Bid – Action Comics #987

Buy/Bid – Supergirl #13

Buy/Bid – Superman #32

 

 

 

 

 

 

 

 

 

Click on the RED links, Images or the comic cover to buy/bid from All available sellers on Ebay.

Weapon X #8

A possible introduction of a new villain in Dark Nights Metal #2. Maybe it’s just the Court of Owls? That Andy Kubert cover says this….Either way, still a great story thus far.
Mr. Oz reveals his identity in Action Comics #987 (Dan Jurgens & Viktor Bogdanovic). Part one of ‘The Oz Effect’. Two covers (Nick Bradshaw), the lenticular and non-lenticular are equally on point. Although ‘Mr. Oz’ will give readers the big ‘reveal’ he will turn out to be a character from long ago, but his first appearance as ‘Mr. Oz’ is in Superman #32 (2011).
The new Harley Quinn comic this week has a nice little reason for a collector to pick it up. Harley Quinn 25th Anniversary Special #1 celebrates….well the 25th year of her existence. Duh, but that’s not the reason this books cracks into the Hot Picks this week. DC Comics informs the fans that there will be creators all over this comic that have never worked on the Harley Quinn character before. Lots of first Harley work to check out, but from whom? Find out on Wednesday.
A villain named Bloodwork makes his (its) first appearance in Flash #30. Creative team; Joshua Williamson & Neil Googe.
Midtown Comics is limiting customers to only one copy per; Supergirl #13 – Stanley Artgerm Lau variant. Why the mention? Well, it’s a regular priced variant cover, so what’s up with that? And it’s going for almost double its cover price already in the aftermarket. Great cover though!

Buy/Bid – Dark Metal #2

Buy/Bid – Flash #30

Buy/Bid – Harley 25th #1

Buy/Bid – Venomverse #2

 

 

 

 

 

 

 

 

 

Marvel’s Generation comics continue, with two captains; Generations Captain Marvel & Captain Mar-Vell #1. Creators: Margaret Stohl & Brent Schoonover.
The Runaways television show will be arriving soon and Marvel Comics will be there to cash in with a new Runaways series. Runaways #1 will be the series’ fifth volume. InvestComics released a Runaways comics checklist back in September of 2016. You can check this out by clicking right HERE. Make sure to check out all of our checklists right HERE.
The new Weapon H character is still wet behind the ears and he’s already receiving a Venomized cover; Weapon X #8 by Greg Land. Oh yes, it’s sold out already.
Click on the RED links, Images or the comic cover to buy/bid from All available sellers on Ebay.
Venomverse #2 features Venom vs Poison Spider-Man. This is full of awesome as is this Venomverse series/event.
The late Michael Turner pops up every so often with a ‘remastered variant’. This time it’s Secret Empire Omega #1. InvestComics released a Michael Turner Creator Spotlight back in August 2016. You can click right HERE to check that out. What a super talent, gone way too soon.
Amazing Spider-Man #32 sets up the Spider-Man ‘event’ in 2018. Yes, that’s correct, 2018.

Buy/Bid – Amazing Spider-Man #129

Buy/Bid – Amerikarate #6

Buy/Bid – Realm #1

Buy/Bid – Secret Empire Omega #1

 

 

 

 

 

 

 

 

Click Me!

InvestComics Indie Hot Picks;
Image Comics’ Realm #1  feels like a Mad Max/Walking Dead/Game of Thrones mash-up book. Look for sell-outs almost immediately upon release. Creators: Seth Peck, Jeremy Haun & Nick Filardi. The Tony Moore (cover B) is stellar. A definite ‘InvestComics Best Comic Covers Of The Week’ book.
Click on the RED links, Images or the comic cover to buy/bid from All available sellers on Ebay.
The Retcon #1 Image Comics solicit is one of the most confusing but funny things we’ve seen in a while. It’s a reboot of a comic that never existed as it embarks on an all-new issue number one! Huh? Okay, you’ll make us buy it. Creators: Matt Nixon & Toby Cypress.
Sheena #1 from Dynamite Entertainment. Creators: Marguerite Bennett, Christina Trujillo & Moritat.
Shinobi Ninja Princess Lightning Oni #1 (Action Lab Entertainment). Creator Martheus Wade.

We here at InvestComics had a chance recently to speak with Carol Zara. Carol and Eric Barnett released their comic last week and it’s called Alien Toilet Monsters #1. The reviews are in and nothing but good things are being said here. This comic is not a typical toilet humor type comic, it’s an actual story that involves aliens, guns and a bad as* girl at the helm. This awesomely fun comic is only available at certain comic conventions the ATM crew will be attending. It’s also available if you ask your comic store to order directly from them. The Alien Toilet Monsters site can be seen by clicking right HERE. ATM have their social media pages in tow as well. Follow Carol Zara on Facebook and Instagram as she keeps things updated on a regular basis on what’s what with ATM.

Buy/Bid – Amz Spider-Man #32

Buy/Bid – Marvel – Mar-Vell #1

Buy/Bid – Runaways #1

Buy/Bid – Sheena #1

 

 

 

 

 

 

 

 

 

Sink #1 (ComixTribe). Creators: John Lees & Alex Cormack.
Valiant Entertainment relaunch’s their Ninjak’s series with Ninjak #0. Creators: Matt Kindt, Christos Gage, Francis Portela and others.
Click on the RED links, Images or the comic cover to buy/bid from All available sellers on Ebay.
Action Lab Entertainment/Danger Zone comics’ Amerikarate #6 features a homage cover from Dave Perillo. Dave pays tribute to Kane/Romita Sr./Gaspar Amazing Spider-Man #129 (1974). This homage cover is sold out.
Hard to believe the video game Wolfenstein was never adapted as a comic. It was a huge selling video game. Anyway, Titan Comics gets to present Wolfenstein #1 to a legion of potential fans. Creators: Dan Watters, Piotr Kowalski & Ronilson Friere.

Buy/Bid – Ninjak #0

Buy/Bid – Shinobi #1

Buy/Bid – Sink #1

Buy/Bid – Wolfenstein #1

Buy/Bid – Retcon #1

 

 

 

 

 

 

 

Giving the Speculator an Edge Since 2005!
Invest wisely. Read Comics.
Carpe Diem.

Jay Katz
Thor_126Wolverine_Frank_Miller

 

 

 

New Comics #492

CLICK –> ALL Of The New Comics Videos….And More.
A weekly video look at the covers from the weekly InvestComics Hot Picks article. New comics arriving 9/13/17. Please utilize your common sense and READ the article to see why these covers are in this video –> InvestComics Hot Picks #492. This is NOT an explanation video, just eye candy. READ…..it’s good for you.

Giving the Speculator an Edge Since 2005!
Invest wisely. Read Comics.
Carpe Diem.
Jay Katz

Thor_126Wolverine_Frank_Miller

 

 

 

WWE Studio’s at New York Comic Con 2013

WWE Studios

InvestComics sits down with WWE stars Kane and Hornswoggle at the New York Comic Con. We also sat down with director’s and the President of WWE Studios……

WWE Studio’s will be releasing more films with their WWE Stars as the headliners. Make no mistake here, this is an absolutely brilliant move for the WWE brand. They have a bevy of characters at their disposal within their arsenal. Putting them front and center in movie roles as various characters other than the ones they play week in and week out on television and pay-per-view will prove to be a success. Two movies discussed on the video below are See No Evil, directed by Jen and Sylvia Soska (also seen on the video) and  Leprechaun: Origins directed by Zach Lipovsky (also seen on the video). The president of WWE Studio’s is also seen on the video.

Fun time had by all! And check out what Glenn “Kane” Jacobs thinks about the government shut down.

Remember, go see See No Evil 2 and  Leprechaun: Origins!!

[bliptv AYOXny8A.x?p]

Disclaimer: InvestComics does NOT own nor does it intend to profit from the music owned by Savatage “The Hall of the Mountain King” used in this video.

InvestComics Hot Picks #291

NEW InvestComics Hot Picks every Sunday! – www.investcomics.com

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Welcome to the InvestComics Hot Picks for New Comic Releases on 10-23-13

New York Comic Con 2013 rundown: (don’t fret, InvestComics Hot Picks below too!)

Back from the New York Comic Con! Another year in the books, and boy was this year’s show spectacular. InvestComics along with Rafael Rosario of RatchetCity Comics dominated the floor with images, as well as come away with a few interviews. Interviews with the creative team of the hit animated series on Fox Bob’s Burgers, Late night host Pete Holmes (TBS), WWE stars Kane and Hornswoggle, WWE studio president Michael Luisi, Directors Jen and Sylvia Soska, Animal Planets’ Finding Bigfoot cast, and the SECOND (with a microphone this time!) interview with Stan “the man” Lee!! Yes it was a great time to say the least.

InvestComics put together a short video montage of various awesome photos taken by Rafael Rosario (with some bad photos taken by yours truly!). Many of the photos in the video do not give the viewer a “full display” of the picture. So there will be a post on InvestComics with a gallery of full displayed images coming soon. Until then, check out the video below. Some of the cosplay this year was simply outstanding. If you see someone you may know in the video, please share it with them.

[bliptv AYOXlRIA.x?p]

The crowds were plentiful as always at the show. Expansion will probably happen again either next year or shortly thereafter. The show itself is definitely becoming the San Diego Comic Con on the east coast. It’s more about the glitz and glamour of the media world rather than the comics themselves mostly. Yes the Image Comics/Marvel Comics booths were absolutely a mad house as they always are, but no signs of an actual “mad house” around the comic book booths tucked away in 3 aisles if that many. The comic booths did have some traffic, but it was nowhere as near as it was everywhere else. Yes the media outlets have taken over, and that’s okay too because it gives the comic book world extra juice. Especially small media…..

Small publishing media were doing their thing too! Creature Entertainment was constantly busy, as were their neighbor Cosmic Times. Be sure to look for those publishers at your local show, they are always making their rounds in the circuit. Our pals at Unstoppable Comics were doing very well as we checked in from time to time, as was our bud, our favorite colorist Jeff Balke! Jeff Kaufman of Big City Comics Studio was drawing all sorts of attention with his stellar graphic novel Angel Falling and his Whore book. And our friend; media mogul, owner of Hound Comics Brimstone was uber busy signing and making appearances everywhere. All and all, it was a busy show for everyone.

One of the more puzzling questions at the New York Comic Con this year; what happened to DC??! Yes DC Comics were nowhere to be found. Yes they had their little signing area WAY in the back area in artist alley, but no booth?? Very odd. Many fans were perplexed by this move. DC however, did have the “75 Years of Superman” display in the court by the coat and luggage check! Displayed in glass cases were all of the Superman costumes worn throughout the years from various Superman movies. Once you were over the amazement and coolness of it, it quickly became, “that’s it?” DC dropped the ball here. They could have had various Superman creators along with the displays present. It would have been a nice token/gesture to recognize the artist and writers of the past that have worked on making the Superman comic throughout the years. Have a free giveaway comic, have them sign it or talk to fans, take pictures. It’s quite absurd that Neal Adams (and many others) were sitting in the next room and he (they) weren’t sitting there for a little while to honor this momentous occasion. Rant TWDJokers_Daugtherover!

InvestComics got a hold of some very rare Walking Dead variants from the Image Comics booth. The Walking Dead #1 New York Comic Con variant has a print run of only 2000!! If you’re interested in buying one, you can head over to the InvestComics Ebay page right HERE and bid away! Remember only 2000 of these exist! Rare indeed.

Before heading off to New York Comic Con, InvestComics released our first ever InvestComics Publications comic The Dawning #1 by David Whalen. There have been many sales of the book and we will be shipping them out this week. So if you ordered please be patient. Thanks! Oh and just in case you missed the ordering details, click right HERE to order now!

Also before heading off to New York, InvestComics announced a new contest to win a  SIGNED Chris Claremont Excalibur #1! That’s right, legend Chris Claremont! If that doesn’t entice you, how about this? How about your chance to grab one of the hottest books out right now signed by the artist? How about Batman The Dark Knight #23.4 Joker’s Daughter #1 SIGNED by artist Georges Jeanty?!! Yes this comic can be WON by YOU! Share the InvestComics website/Facebook/Twitter/Instagram and all other social media anywhere and you will be entered to win! Be sure to (hashtag) #investcomics when you share. Each contest is separate though, The Excalibur and the Batman comic, so be sure to specify which comic you are after! Also alert InvestComics via Facebook or Twitter or here that you shared!

Onward we go!!

InvestComics Hot Picks for Comic Releases 10-23-13

So you missed that number one issue that InvestComics recommended you pick up. What were you thinking?! So now the question you may ask is what’s worse than a number one issue selling out and missing it? Well a number two issue selling out and missing it! Often times after a number one sells out, the interest tends to make the second issue a sellout as well. The tricky part here is, will the second issue hold up the series or will fans toss it because the story simply is not enough for them to stick around. If the story holds up, then you are definitely onto something as far as the aftermarket is concerned. Case in point this week with Rat Queens (2013 Image) #2, Sex Criminals (2013) #2, and Other Dead (2013 IDW) #2. Image Comics are simply killing it. They have put out more aftermarket greatness in the past couple of years than many can count. They continue to do so this week with these releases. Do not get caught short here, especially with any of the hot books that contain any variants. Get the variants CGC graded (9.8 or better a must), signature series (9.8 or better a must), and sell them for double/triple the value easily.

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While we are on topic of number two issues, what gives with DC Universe vs Masters of the Universe (2013) #2? A “Top Secret” black cover obviously reveals nothing and because of this it’s essentially sold out already? Justice League makes an appearance, but wow, it’s a He-Man comic and it’s sold out. Let that sink in folks. But with a legend writer Keith Giffen on the book, it makes sense too.

DC’s lone number one comic to make it to the Hot Picks this week is Beware The Batman (2013) #1. An all ages Batman comic that has the SOLD OUT sign up on the variant. No sold out sign for Marvel’s Marvel Now What (2013) #1, but a fun comic read nonetheless! Marvel will “change things FOREVER” in Iron Man (2012 5th Series) #17. The last part of the Secret Origin of Tony Stark storyline. And going back to DC, we have Justice League Dark (2011) #24 with the New Justice League Dark. Is that really the cover? The white sound? Hmmm, okay.

Samurai Jack makes his triumphant return in Samurai Jack (2013 IDW) #1. Jack’s first comic appearance came back in DC’s Samurai Jack Special #1 (2002). If the world is ready for Jack in a big way, the number one special will be……special.

Pretty Deadly (2013 Image) #1 and Velvet (2013 Image) #1, both from Image Comics are…..you guessed it, SOLD OUT! Velvet #1 includes writer Ed Brubaker and artist Steve Epting! Each week the same format rings true here; buy Image Comics. Be sure to stay on top of these Image Comics, it won’t be long before they open that huge movie studio and start cranking out these comics into cinema beauty. Hey, you never know!

Another zombie book will make its way into the comic book world this week. On the verge of a sellout, be sure to check out Zombie War (2013 IDW) #1. And Conan fans get a new book to read this week from awesome writer Fred Van Lente, Conan People of the Black Circle (2013 Dark Horse) #1.

See you next week! Don’t forget to hit that contest up! And sign up to the InvestComics newsletter too!

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Invest wisely.

Jay Katz    

InvestComics Hot Covers – Comic Releases 10-23-13

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NYCC 2013: Images/Video

Here is a quick glimpse at various cosplay and media stars at this year’s New York Comic Con 2013. InvestComics Interviewed all of the Media that are in this video. Included in this video are; The cast of Bob’s Burgers, Pete Holmes, WWE Stars Kane, Hornswoggle, Studio President Michael Luisi, Directors Jen and Sylvia Soska, Animal Planets’ Finding Bigfoot cast, and Stan “the man” Lee.

Disclaimer: Linkin Park music “In The End” is not owned or being used for any profit in the making of this video. InvestComics does not own anything pertaining to Linkin Park or any of its affiliates.

NYCC 2013 IC

 

 

 

 

 

 

 

 

 

 

 

IndieCreator: with Duncan Eagleson

 

 

 

 

Sandman, Smackdowns and Elf Love with Uber Artist Duncan Eagleson

This week we return to the Promised Land − good ‘ol comics. We drifted away to film and music for a few interviews but now we’re back where we belong. And our “comeback to comics” is sure to make a splash. As big a splash, we dare say, as WWE wrestler Kane’s return in December 2011 when he beat down John Cena and revealed not one − but two leather masks.

And irony of ironies, the subject of our interview is the same insanely talented artist/craftsman/illustrator/writer who created those now-iconic masks for Kane (See? Everything has a purpose!)

Dunn-dunn-dunn!

He’s none other than Duncan Eagleson. I’ve been fortunate to have Duncan involved in a few anthologies I’ve worked on and recently begged/pleaded/cried to have him create some key art for my upcoming micro-budget feature BLESSID. As usual, he exceeded expectations.

You see, Duncan Eagleson is a perfectionist. As such, I am going to use his words rather than my own to describe his accomplishments:

“Illustrator, graphic designer, painter and sculptor, Duncan Eagleson has created art and designs for book covers, movie posters, advertisements, corporate identity projects, videos, magazines, and even T-shirts, for clients such as Doubleday Books, Tor Books, New Line Cinema, Warner Communications & DC Comics, rock groups like The Who, Phil Collins, and Def Leppard. In comics, he contributed art to Neil Gaiman’s Sandman, adapted and illustrated Anne Rices’ The Witching Hour. He has created sculpted leather masks for Wes Craven’s Cursed, the WWE wrestler Kane, the Smithsonian, the Big Apple Circus, and magician Jeff McBride. Portfolios of his work, both digital and traditional, can be found at eaglesondesign.com, and on his Deviant Art page at duncan-eagleson.deviantart.com. His sculpture and masks can be seen at maskmaker.com.”

1) You have a long and impressive resume, but one thing that jumps off the page is your work on issue #38 of The Sandman — “Convergence, The Hunt” (1992, DC/Vertigo). What was it like working with writer-savant Neil Gaiman?

(DUNCAN:) Top question everybody asks. I’m happy to be able to say that honestly, it was really great.  Neil had certain elements he really wanted the art to reflect − mainly the nine-panel grid structure for the pages − and he was quite patient about explaining why that was important (he wanted the physical structure of the pages to reflect the formal story structure of the “fairy tale” sort of story). Beyond that, he was very hands-off, trusting me to do what I wanted with the art. Neil really is the way he appears in interviews and public appearances: a very unassuming, courteous gentleman, and very easy to work with.

The only minor bump in an otherwise utterly smooth ride had nothing to do with Neil. Some of the powers that be at DC/Vertigo felt the “werewolf sex” scene toward the end of the book was too graphic − despite the fact there were no actual naughty bits showing, I guess it was a bit too obvious what was going on. So I had to tone it down for publication. We went through a couple of versions before they were satisfied that it was family-friendly enough. Which was okay with me − I wasn’t about to scream “Censorship!” or anything. It was DC/Vertigo’s book, they were paying for it, they should get the sort of product they need. To me, it was no different than any other revision. I did, however, save the original pencilled panels.

All in all, the whole thing was a great experience, including, by the way, seeing my pencils come to life through Vince Locke’s brilliant inking. It was almost as if Vince was in my head, doing exactly the inking I would have done myself, if only I’d had the sort of mad inking skills he has.

2) Around the same time you did Sandman you also worked wrote and did art for several issues of Anne Rice’s The Witching Hour comic book series. What was this experience like?

(DUNCAN:) That was a bit of a mixed bag, especially toward the end. It started out looking great − they came to me at first for the art, and they didn’t have a writer. I had just recently read The Witching Hour, and I was wanting to start building a name as a writer, so I convinced them to let me script as well.

Between scripting and illustrating, I had no time to get involved in the marketing, but I probably should have tried. They were marketing the book to comics venues, treating it as if it were a superhero book, which wasn’t the best choice. The Anne Rice audience was huge − but they’re not your typical superhero comics audience. As it was, I think we got some respect from folks in the industry − the one time I met Kelly Jones, he was kind enough to say he thought The Witching Hour was the best full painted book on the market at the time − but the sales of the first couple of issues were disappointing.

To be fair to Millennium, novel adaptations are always a hard sell in comics, and traditionally don’t do very well. And although I think The Witching Hour might eventually have found its audience, they just didn’t have the kind of funding to hold the line until that happened, they needed to make money off the book right now.  And that wasn’t happening. So the book got cancelled, and shortly thereafter, the company went belly-up.

As an artist & storyteller, however, I had a great time doing it. I unleashed everything I had learned about drawing and painting and visual storytelling on that series.

At the time, my idol in comics was Bill Sienkiewicz. That man’s full-painted comics art was some of the most inspiring, innovative, and masterful work I’d seen in years, with the possible exception of Dave McKean. Considering how extreme he got with some of that work, it’s amazing to realize that he always managed to keep it in the service of the story, never let it become all about the art. No matter how stunning any individual page or panel was, he designed it to keep you caught up in the characters and the narrative, moving forward through the story. That’s not easy to do when you’re also pushing the boundaries of what has been done visually in a medium.

I tried hard not to imitate Sienkiewicz − or Bernie Fuchs, or Bob Peak, who I was also looking at a lot in those days − but to use their examples as an inspiration, to adopt a similar conceptual approach without also adopting anyone’s specific signature devices. And I think I mostly succeeded, giving the book a unique look and feel.

This was in the days before the use of Photoshop had become common, and I was doing a lot with Xeroxing drawings and photos onto colored paper, and painting over them with gouache, acrylics, airbrush, and pastel pencils. At one point, my editor, Jordan Bojar, called me up and said “I don’t know how you created this, what kind of techniques you’re using, but whatever they are, don’t ever reveal them to anyone.” Of course, I said “Why not?” I’m always happy to share whatever I’ve learned with someone who wants to know. “Because this is unique, these techniques are a gold mine,” he said. I thought he was nuts. Far as I’m concerned, anyone who wants to try out these techniques, knock yourself out. If you’re a mediocre artist looking for a gimmick, you’ll produce a cheap knockoff. If you’ve got imagination, and are good at what you do already, you’ll do something else with it, use it to develop your own unique creation. Why would I feel threatened by either possibility? A cheap knockoff will almost always be seen for what it is, and an imaginative, unique creation deserves to succeed, and be cheered on.

3) Did you ever get to meet the “Queen of Vampires”?

(DUNCAN:) I never did. She seemed to keep a certain distance from the comics versions of her works − or at least Millennium’s comics versions, which included The Mummy as well as The Witching Hour.

I did talk to her personal assistant once. Long after The Witching Hour and Millennium had both tanked, I heard that the comics rights to Anne Rice’s books had reverted to her, and she had announced her intention to do her own graphic novel versions of all her books. I had always felt I’d love to finish the series, so I called her office to see if they were interested in my working with them. Her assistant was very polite and cordial, but also very non commital, and the basic message was “Don’t call us, we’ll call you.” And of course, they never did. As far as I know, they eventually abandoned the whole graphic novel idea.

4) More recently, you were involved with another Pop icon. You created two leather masks for WWE wrestler Kane’s “resurrection” when he intruded on a matched and rudely slammed John Cena to the mat. How did you get involved in the melee?

(DUNCAN:) People who know my work from comics and book covers may not be aware that I’ve been making sculpted leather masks for many years. I’ve made masks for many theater productions, for the Big Apple Circus, for mask magician Jeff McBride (a long-time friend), for Wes Craven’s movie Cursed, and even for the Smithsonian. If you Google “leather masks,” my mask website (maskmaker.com) usually turns up in the first few results. Which is how the Creative Director from the WWE found me.

I went and met with the creative director and production designer, and of course, Kane himself. They already had certain ideas about what they wanted the masks to look like, but were willing to listen to my input, as well. I sat down with Kane and talked with him about his previous masks, about what worked well, and what didn’t, and how we could improve on what he’s had before. In the end, I made two masks, the red inner mask, and a sort of over-mask that looks a little like a welder’s mask.

5) Another notable piece is Hollow which you worked on for Archaia Studios Press. The pages on your website have a definite “extraterrestrial” vibe. Can you explain the storyline since you did the pencils and ink for issue 1 in 2010?

(DUNCAN:) The writer on the Hollow was a very talented young man named Larime Taylor. I had worked with Larime before, providing masks for a play he wrote and directed, Call of the Dragon. When he came up with Hollow a few years later, he got back in touch, asked me if I’d be willing to pencil and ink issue one.

Those creatures that look rather like extraterrestrials are actually the beings who conduct dead souls into the light or the darkness. They’re also the beings responsible for placing souls into babies. And they’re all upset because one got missed − there was a child born without a soul. Both the dark and the light are hunting for this soul-less child, who in the meantime has grown up, and is about to come of age, which redoubles the urgency with which the agents of Light and Dark are searching for him/her/it.

6) My favorite Duncan Eagleson work is Railwalker: Tales of the Urban Shaman. 

(DUNCAN:) Thanks very much.

6.1) Explain the premise to our readers. What are your plans for the series?

(DUNCAN:) The premise behind Railwalker was the idea of a genuine urban shaman. This guy (who we know only by his street name, Brick) has no cultural tradition behind him, no elder indigenous shaman he apprenticed to − he was just a guy from the streets of Brooklyn, a graffiti writer, who one day found the crows started talking to him, and teaching him things. He had no idea, at least in the beginning, that what the crows were teaching him is what anthropologists would call magic and shamanism.

Brick actually started out as a supporting character in a graphic novel I was trying to sell back in the 80s. In the 90s, the Earthspirit Community approached me about doing a comics series that would tie in to their Rites of Spring Festival (they had in mind either a single-panel, or a four-panel strip format), and I thought Brick would be the perfect protagonist − he’s a total outsider to modern magic and neo-paganism, but he’s an intelligent and sympathetic outsider.

When I started the series, I was thinking in terms of humorous strip comics, and was working in a kind of cartoony style. But I’ve never really thought of myself as a humorist, and the humor in Railwaker at Rites is generally not a broad laugh-out-loud kind of humor, but more wry and dry. So as the series went on, I gradually started transitioning the look of the art to a more sophisticated realistic style, which seemed more appropriate to the material I was writing. People seemed to like it, so I kept it up. The strip ran for three festival seasons, and after it ended, I set up a web site specifically for Railwalker.

Not long afterward, I started experimenting with animation in Flash. Over the course of the next couple of years, I created a short animated Railwalker movie, Keys, in several chapters. Keys tells one version of how Brick became the Railwalker (yes, there are others).

I had toyed with the idea of doing another short animation based on Beowulf (this was long before the Avary/Gaiman CG film version), but I was going to set it in a post-apocalyptic world, with a Mad Max type character as the hero. As I worked on the script, it started to morph and change and grow, and one day I thought, “Screw the animation, this wants to be a novel.”

So the Mad Max-like character became one of an order of traveling Warrior-Shamans, and what better to call his order than the Railwalkers? Which told me that after the Great Crash, Brick must have founded an organization to battle the chaos and monsters that appeared in the Crash’s wake, right? Since the Beowulf poem is in one sense a paean to the passing days of the great heroes, to be true to the flavor of the thing, my tale would have to happen during the final years of the Order, when they’re in their decline. So we’re 300 years after the Great Crash.

(“Harkinton,” the short story I did for the 2012: Final Prayer anthology, tells a tale of Alec Bane, one of the “Five Ravens” who formed the first generation of Brick’s Railwalker Order.)

With the working title of Wolf, the novel that resulted was something like Beowulf as a post-post-apocalyptic noir occult thriller. If that makes any sense. I didn’t really set out to blend, or transcend, or mashup all that many genres, but that’s the way the story developed. Of course, in allowing myself the freedom to do that, I probably hurt my chances of being picked up by a mainstream publisher. Those folks need to be able to neatly categorize and pigeonhole their product, and this novel would be tough to do that with. How do you market something like that? I wasn’t thinking about marketing the thing until after it was written. However, it’s been picked up now by one of the small presses, and should be out within the year.

As a result of that novel, I had a whole history of this order to come up with (at least in broad outline), not only in the formal organization created by Brick, but also in its roots, the many individual Railwalkers who had existed through history before Brick. Railwalker lore tells of a depression-era hobo, a traveling bluesman in the 1920s, an aristocratic Englishwoman of the Victorian period…  but the Railwalkers seem to appear only after the Industrial Revolution.  Which has to do, I’m sure, with their being particularly urban shamans.

I have two books of an urban fantasy series done, and a third in progress. They don’t involve Brick or the Railwalkers. At least not yet. But they will tie into the Railwalker universe timeline, and end in the Great Crash.

I also have some notes and sketches for what would be, not exactly a sequel to Wolf, but a story set around the same time and place, with a few overlapping characters, but no direct connection to the events of Wolf.  But that’s an embryonic project, so don’t hold me to that − the thing could still evolve in a different direction.

7) You’ve done some short graphic works as well. Recently, you did pencils and ink for some work that appeared in Elf Love (Pink Narcissus). I had the pleasure of doing a review of this great fantasy anthology. Tell us about your work and the anthology.

(DUNCAN:) Thanks, glad you liked the anthology, and thanks for the good review.

A friend sent me the call for short story submissions for this anthology. At first, I wasn’t very interested − I didn’t think I had anything to say about elves, particularly elves and love. But the idea got under my skin, and a few days later, I had not one, but two story ideas. I wrote them both up, submitted them, and to my surprise, they accepted them both.

Then I got a phone call from the Pink Narcissus Editor-in-Chief, Rose Mambert, saying, “Hey, you’re an artist, too, right?  Would you be interested in doing the cover for this book?” Long story short, I not only did the cover, but continue to do graphic design and occasionally illustration for them. Oh, but you asked about “Of Roots and Rings”, the comics story in that anthology…

I belong to a writer’s group, and one of my friends there, Sarah Eaton, is a terrific playwright. When she learned about Elf Love, she was intrigued, and had a story in mind for it. But she had never done a text story, had only ever previously written scripts. So I said, “Well, write it up as a script, and I’ll see if Rose is willing to have me illustrate it as a comics story.”  When I broached the idea to Rose, she was delighted, said they’d love to include a comics story in the anthology.

“Of Roots and Rings” was great fun to illustrate. Especially since the historical material that appears toward the end gave me a chance to revisit the historical montage look I’d been using for certain sequences back when I was doing The Witching Hour. I love doing that stuff, it’s almost like a comics story within the comics story.

8) Which is your greatest passion: writing, drawing, painting or mask-making?

(DUNCAN:) Storytelling, in whatever form. Everything I do, even making masks, is in some sense a form of storytelling.

I think that the desire, the need, to tell stories is the creative engine that drives all artists, even the ones who think they’ve transcended the narrative urge. They’re still trying to communicate, to say something, and that something has a context, a story, which they can’t avoid invoking or referring to in some way, even if only obliquely.

It’s all about The Story.

9) What writer and artist makes you go, “Damn, how did they put that much talent in one person?”

(DUNCAN:) You mean someone who writes AND illustrates? Well, Eisner, of course, he’s the grand old man of writer/artists. Howard Chaykin − I think one of the finest science fiction comics series ever created was Howard Chaykin’s American Flagg! Brilliant work by a brilliant artist/writer. Mike Mignola consistently amazes me, his visual storytelling is superb. Frank Miller, Matthew Dow Smith, Sam Keith, Dave Sim, Phil Foglio, Matt Wagner…  I could go on, but those are the top names that spring to mind right now.

10. What’s next for you?

(DUNCAN:) I’m off to Necon July 19-22, then it’s back in the studio for a while. I’ve done a lot of events the last few months, showing masks and art, plugging my writing, and I need some uninterrupted time to get some new work done. There are covers to be done for Pink Narc books, and Wolf will be going through the editing process.

I’ve just finished a steampunk novel in collaboration with Rev DiCerto − we’re now giving it the last once-over and final polish before we submit it. I’m working on another novel of my own, in a different, darker genre. I’m also preparing a proposal-slash-presentation on an illustrated novel, in which a depression era carnival encounters the local Fae in an obscure hamlet in the backwoods of New York State. The story is loosely tied into the mythology of the New York Faerie Festival. If you wanted to get all “high concept” about it you could call it Gaiman’s Stardust meets HBO’s Carnivale. Watch for the Kickstarter campaign, hopefully mounting this fall.

Also, I can’t talk details yet, but just this morning I was invited to participate in a new anthology where the rest of the authors are mostly famous science fiction writers. No pressure, or anything, right? It’s a great opportunity, and I’m looking forward to the challenge of living up to the standards of that august company.

11) Big finish − where can people go to see your work and buy your comics, masks and other creative endeavors?

My online portfolios are at Eagleson Design and my Deviant Art page is here.

Prints are available both at the Deviant Art page and at my Zazzle Store.

Masks and sculptures are on maskmaker.com.

Keys and other Railwalker stories can be found at Railwalker Comics. The Railwalker story “Harkinton” appears in the Heske Horror anthology 2012: Final Prayer.

Some of my short fiction appears in two anthologies from Pink Narcissus Press, Elf Love and Rapunzel’s Daughters, and I’ve done covers for their Bleeding Hearts and Feasting with Panthers, terrific novels both.

Thanks Duncan. May the Muse be a crow on your shoulder and ever whispering in your ear.

An award-winning indie comic creator and screenwriter, Bob Heske wrote THE NIGHT PROJECTIONIST. This graphic novel hit stores on July 5th at a price point of only $12.99. Order your copy at your local comic shop today – tell them the Diamond code is MAR121187! It can also be ordered on Kindle and on Amazon.

Bob has also published COLD BLOODED CHILLERS, the award-winning anthology BONE CHILLER and his end times tome 2012: FINAL PRAYER. BONE CHILLER and 2012: FINAL PRAYER are also available on Amazon Currently, Bob is making his family nervous by investing his time and money on an incredible micro-budget film called “Blessid”.

“LIKE” it on Facebook.

Bob’s website is www.coldbloodedchillers.com.

Paul Grist Muddies things up at IMAGE

HIS NAME IS MUD

Acclaimed Cartoonist Paul Grist Brings New Superhero to Image Comics in Mudman

 

Berkeley, CA — 11 August 2011 — After self-publishing for much of the ’90s, Paul Grist brought two critically acclaimed original titles to Image Comics in 2002: the crime drama KANE and then the eclectic superhero series JACK STAFF. Recently, Grist has been using his sparse, signature style to develop a new superhero that will be introduced to the world this November with the debut of MUDMAN.

 

“This is my ‘Back to Basics’ superhero comic,” explained Grist. “It’s not about alien menaces or cosmic powers (though they may pop up once in a while); it’s all about growing up and finding your way in the world, and how the decisions that you make can affect others. In a way, it’s probably the most autobiographical comic I’ve ever done. But with added mud.”

 

“Paul has been one of my favorite creators since writer Robert Loren Fleming turned me onto KANE back in the ’90s,” said Image Comics Publisher Eric Stephenson. “His style looks deceptively simple, but he’s a master of his craft, capable of some of the cleverest storytelling in comics. It’s a big thrill for me that Paul’s part of Image, and I can’t wait to see what he does with MUDMAN. ”

 

In MUDMAN #1, the new school year is just beginning, and it isn’t starting off well for teenager Owen Craig. His day just keeps going from bad to worse: He gets run over, he gets detention, and then he learns his father has actually been taken hostage by armed bank robbers. But that’s only the beginning of his problems. Now his body appears to be turning into mud!

 

ABOUT IMAGE COMICS

Image Comics is a comic book and graphic novel publisher founded in 1992 by a collective of best-selling artists. Image has since gone on to become one of the largest comics publishers in the United States. Image currently has five partners: Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri and Jim Valentino. It consists of five major houses: Todd McFarlane Productions, Top Cow Productions, Shadowline, Skybound and Image Central. Image publishes comics and graphic novels in nearly every genre, sub-genre, and style imaginable. It offers science fiction, romance, horror, crime fiction, historical fiction, humor and more by the finest artists and writers working in the medium today. For more information, visitwww.imagecomics.com.

InvestComics Comic Hot Picks 2-9-11

 

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First thing worth mentioning is this week’s upcoming InvestComics TV show. It features none other than artist of The War of Supermen, Supergirl, and now regular artist of Zatanna, Mr. Jamal Igle. Check out the first of a 2 part sit down with this awesome charismatic creator coming THIS Wednesday, ONLY on  InvestComics TV! 

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DC introduces a couple of new charters this week. Keep your eyes open for Batman & Robin #20 with White Knight, as well as Flash #9 with Hot Pursuit. Superman is introduced to the “new” Wonder Woman in Superman #708. The cool thing about this issue is that Superman thinks he knows her already; he just can’t quite place it…..yet. Green Lantern fans will be all over the new Green Lantern Emerald Warriors #7 this week. It’s the prelude to “War of the Green Lanterns”. These Green Lantern event storylines keep on coming! Speaking of Green Lantern, isn’t it wonderful to still see the rivalry between DC and Marvel? This past week comic collectors saw Marvel’s first cover to the Event story named “Fear Itself”. This week DC releases a reprinting of the Green Lantern Fear Itself graphic novel from 1999. Coincidence? No, just some good old fashion competition.

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Marvel comes in with a very busy week. Starting with Amazing Spider-Man #654. Marvel promises that “Things will never be the same” theme with this Spidey issue. Maybe one of these days, we’ll all really be shocked and say, “wow, now THAT is changing things!” Will Marvel deliver? Let’s see on Wednesday morning! Switching from changes to secrets, see what Nick Fury has been hiding for decades? Marvel once again beating on the proverbial hype machine drum says this issue will SHOCK you. Well, on to Wednesday morning for another shocker. Make sure to bring your Xanax, it may be a rough morning. Back to Spidey for a second, Ultimate Spider-Man #153 is the beginning of the end for the Ultimate Spider-Man in what looks to be a prelude into the “Death of Spider-Man” story. An interesting blast from the past from Marvel with Power Man & Iron Fist #1 comes out this week. Whatever happened to Cloak and Dagger? Well that’s another story for another time. So with the number 1 issue, we naturally should find when the first time these two heroes hooked up. Look for Power Man (1974) #48. Check out these names attached this comic, ready? Claremont, Byrne, Kane, Sinnott, and Goodwin. Wow that’s some lineup huh? All of this for $14! This is a no-brainer collectors. Anyone remember the 90’s in the comic book world? Everything you bought was going to send your next kid off to college, set up for an early retirement, or buy that new car you wanted. Rob Liefeld was a one of the main reasons for the boom. Collectors either loved him or hated him. Rob seemed to introduce characters, create characters at an alarming rate. Whether it was for Marvel or Image, didn’t matter, collectors loved buying his stuff. Fast forward to 2011. Onslaught #1 will feature, not 1, but 2 covers from Rob Liefeld this week. Both essentially the same exact covers, but who cares?? It’s the 90’s….err wait it’s 2011. Nah, just have fun with it will ya! Onslaught’s first appearance was in X-Man #15 (1996). Buy this comic in some $1 bin at any local comic shop.  We’ll get back to the 90’s in a minute, but want to see a good fight this week? How about Ultimate Avengers vs. New Ultimate’s #1?

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Independents this week feature the return of the 90’s for one book, that one book being Sonic Universe #25. This comic comes complete with a “shiny silver” cover! Cool! Can you say, sold out with the second print being a “shiny gold” cover? Yea, thought so. Tim Seeley, Dan Leister, and Erik Larsen begin the regular ongoing Hack/Slash Ongoing #1. If you missed Tim Seeley’s interview on InvestComics TV, go right here to check it out! Spawn #202 introduces a major new villain. This series is hot right now, so expect a quick sellout on this one. Last but not least, don’t forget to check out the new SpongeBob Comics #1!

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See you Wednesday with Jamal Igle-Part 1 ONLY on InvestComics TV! 

Thanks to Comics Price Guide.com for all pricing in this article.

 

Invest Wisely.

Jay Katz