Top 5 New Key Comics 9-2-26
New Books from Jay Katz of InvestComics
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LAST WEEK’S Top 5 New Key Comics 8-26-26
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Teen Titans #1
Writer: Kyle Higgins
Artist: Daniele Di Nicuolo
Colorist: Marcelo Costa
Kyle Higgins and Daniele Di Nicuolo introduce a new Teen Titans lineup consisting of Fairplay, Cheshire Cat, Proxy, and Wildcard. The team becomes involved with Ascend, a rapidly expanding youth movement that trains young people to survive in a world continually damaged by superhuman conflict. When one of the Titans disappears after attending an Ascend rally, the others begin searching for answers and reluctantly join forces with Red Hood. Jason Todd naturally considers them inexperienced and reckless, while they have some understandable concerns about his history of solving problems with considerably more ammunition than most Titans carry. From a speculation standpoint, this is one of the most important releases of the week because Fairplay, Cheshire Cat, Proxy, and Wildcard represent a newly assembled generation of Titans. Their long-term importance will depend on how DC develops them, but first issues connected to newly introduced teams have an obvious place on a watchlist. The involvement of Red Hood gives the launch an established character capable of attracting attention while the newer names develop their own identities. Ascend may also prove significant if the organization continues beyond the opening storyline. New characters and mysterious organizations do not always become enduring parts of DC history, but their earliest appearances remain the issues collectors revisit if momentum arrives later. Higgins has experience developing new superhero worlds and Di Nicuolo brings considerable energy to team-based action. That combination gives Teen Titans #1 more speculative substance than a routine relaunch with the same familiar lineup. DC describes this as a new-generation redefinition built around the disappearance, Ascend, and Red Hood’s uneasy alliance with the young team.
Archie #1
Writer: Ben H. Winters
Artist: Fábio Moon
Additional contributors: Kelly Sue DeConnick, Ryan North, Dan Parent, and others
Oni Press begins its new Archie publishing era with Ben H. Winters and Fábio Moon guiding Archie Andrews through Riverdale’s past, present, and future. A local film festival throws the town into chaos while a strange paradox develops at the center of the mystery. Jughead Jones may be the only person capable of figuring it out, which sounds reasonable because Archie is normally too busy creating three additional problems while attempting to solve the first one. The debut also includes bonus material, puzzles, pinups, and additional stories linked to the larger mystery. The speculative attraction starts with the obvious: this is the first issue of Oni Press’s new Archie series and a significant publishing transition for one of the most recognizable comic brands in American history. It is not Archie Andrews’ first appearance, and nobody should mistake a modern relaunch for Pep Comics #22, but a meaningful new chapter can still carry long-term collector interest. The series also arrives as Archie approaches his 85th anniversary, giving Oni Press a clear opportunity to expand the line and introduce additional titles. The creative pairing is another selling point. Winters brings mystery and unconventional narrative ideas, while Moon gives Riverdale a distinct visual identity. Collectors should watch whether the paradox becomes a continuing element, introduces a new character, or establishes a larger mythology connecting Oni’s Archie titles. The main cover by Stuart Immonen and the broad variant program will create plenty of choices, but buying every version simply because the trade dress says “#1” is how a focused watchlist becomes an unsupervised storage-unit experiment. This is nevertheless a legitimate publishing milestone and one of the week’s more intriguing launches.
Marvel Mangaverse: Web of Blood #1
Writers: Joe Kelly and Jack Kelly
Artist: Kenny Ruiz
Colorist: Guru-eFX
The Marvel Mangaverse returns for its 25th anniversary with Joe Kelly and Jack Kelly joining artist Kenny Ruiz. In this alternate reality, technology has stopped functioning and magic has become the dominant force. Miles Morales operates as Spinja, Laura Kinney is Weapon X-Tremis, and Illyana Rasputin carries the identity Legion. The three former allies find themselves divided over how to prevent an approaching apocalypse connected to the return of the Phoenix. Every attempt to stop the disaster pushes them further toward forbidden magic and creates the possibility that their efforts may cause the destruction they are trying to prevent. The speculative focus belongs to these redesigned Mangaverse incarnations. Alternate-universe versions of established characters can generate interest when their identities, costumes, abilities, and histories are distinctive enough to survive beyond the original event. Miles Morales, Laura Kinney, and Illyana Rasputin already have dedicated audiences, giving their Mangaverse counterparts a stronger starting position than completely unknown creations. The issue also brings back a Marvel concept that has been mostly absent from current shelves, making it an anniversary return as well as the first chapter of a larger sequence of one-shots. Whether Spinja, Weapon X-Tremis, and Legion become lasting versions remains to be seen, but this is the type of early appearance collectors may want identified before Marvel decides to use them elsewhere. The original Mangaverse was introduced in 2001, and reviving it after 25 years gives Marvel a new opportunity to develop those ideas for a modern audience. The presence of a powerful Mangaverse Nick Fury and his Avengers adds another possible layer of new alternate-character appearances. Marvel states that Web of Blood #1 opens a two-part story that concludes in Marvel Mangaverse: Web of Destiny #1.
Spider-Woman 50th Anniversary Special #1
Writers: Dan Watters and Ann Nocenti
Artists: Andrea Broccardo and Stefano Raffaele
Jessica Drew reaches her 50th anniversary with a special that honors her history while setting up what Marvel describes as her darkest era. Dan Watters and Andrea Broccardo begin laying the foundation for Spider-Woman’s next direction, while former Spider-Woman writer Ann Nocenti returns with Stefano Raffaele for an additional story. Jessica’s pheromone abilities become an important part of the anniversary material, emphasizing how those powers can isolate her and complicate her work as an investigator. The anniversary itself gives this issue a historical hook, but the more important speculation angle is its connection to the upcoming Spider-Woman ongoing series. Anniversary specials sometimes function as oversized celebrations with little effect afterward. This one is positioned as a transition point, making it a possible issue zero for the next era rather than merely a birthday card with a higher cover price. If the special introduces the central threat, supporting players, or status changes used by the ongoing series, collectors may eventually view it as the true starting point. Ann Nocenti’s return adds another layer of significance because her earlier work helped define Jessica Drew’s history. The new creative direction from Watters and Broccardo creates the forward-looking angle. That combination of legacy and setup makes Spider-Woman 50th Anniversary Special #1 a stronger candidate than a milestone issue trading entirely on nostalgia. The comic still needs to establish something with lasting relevance, but collectors following Jessica Drew should recognize that Marvel is using this anniversary to begin another chapter instead of simply recapping the previous fifty years.
Wade Wilson: Deadpool #8
Writer: Benjamin Percy
Artist: Geoff Shaw
Colorist: Alex Sinclair
Letterer: VC’s Clayton Cowles
“Big Guns” begins as Deadpool receives a new mission, gains a new vehicle, and ends up with Frank Castle as his newest enemy. The issue is the first chapter of a four-part Deadpool and Punisher crossover that continues in Punisher #8, returns to Wade Wilson: Deadpool #9, and concludes in Punisher #9. Multiple forces are chasing an ultimate weapon, placing Wade and Frank on opposite sides of the conflict. Since putting Deadpool and Punisher in the same situation is usually the fictional equivalent of storing gasoline beside an open flame, cooperation is unlikely to arrive without substantial property damage. The speculative argument here is tied to the crossover’s starting point and the mysterious weapon at its center. First chapters can become destination issues when an event produces an important revelation, new enemy, major confrontation, or lasting status change. The unidentified party manipulating circumstances may become particularly relevant if that character is new or receives a significant reveal during the crossover. Deadpool and Punisher both maintain strong collector followings, and a storyline directly connecting their current ongoing titles gives the event broader appeal than an isolated issue. It is still an eighth issue rather than a shiny new number one, which may keep initial ordering more restrained than a heavily promoted launch. That can become useful if demand grows after later chapters reveal the event’s larger importance. For now, Wade Wilson: Deadpool #8 is best approached as a crossover starting point with possible key developments, not as guaranteed aftermarket gold simply because two heavily armed characters are glaring at each other.
-Jay Katz


